During Maison&Objet 2026, Pinto will unveil five new collections of furniture and tableware, created under the creative direction of Fahad Hariri. The collections will be previewed as part of the Maison&Objet “in the City” program during a press day on 14 January 2026, from 10 am to 6 pm, at Pinto’s headquarters, located at 11 rue d’Aboukir, 75002 Paris.
The new collections include a furniture collection – Des Tresses – and a line of decorative objects – Les Interdits. Created in partnership with the Fonderie de Coubertin, these new pieces explore how traditional and organic shapes can be transformed through fine-art bronze craftsmanship. Des Tresses offers an architectural reinterpretation of an age-old gesture, whereas Les Interdits channels forms drawn from the living world into a sculptural expression.
Three tableware collections — Vannerie Platine, Argenterie, and Pinto × Augusta Alexander — continue the evolution initiated by Fahad Hariri. Created in collaboration with the Manufacture Royale de Limoges, they each offer a distinct approach: the structured classicism of Vannerie, the reinterpretation of an ornamental vocabulary in Argenterie, and the contemporary expression introduced by Pinto × Augusta Alexander, Pinto’s first collaboration with a visual artist.
These five collections enrich Pinto’s formal vocabulary and mark an important step in the house’s creative direction, where artisanal excellence and conceptual exploration come together with renewed clarity.
THE COLLECTIONS
Des Tresses: An ancestral gesture transformed into architecture
The new collection of furniture and objects titled Des Tresses is built around the theme of “braids”, inspired by the structure of woven raffia mats used by nomadic communities. It includes a side table with a glass top, a travertine-topped table, a coffee table, a console, a centerpiece, a candlestick, and a mirror. Two major pieces complete the ensemble: a walnut chest of drawers whose top features marquetry reminiscent of chicken wire with handles crafted in braided bronze, and a large dining table with matching marquetry resting on broad trestles.
Produced in a limited edition, the collection brings together an ancestral craft gesture and a sophisticated approach to materials. Made in natural bronze by the artisans of Ateliers Saint-Jacques and the Fonderie de Coubertin, each piece is produced in an edition of eight and four artist’s proofs.
Les Interdits: fragments of nature in bronze
With Les Interdits, Pinto presents a series of five objects inspired by cabinets of curiosities, evoking the collecting of natural specimens and the scientific interest in their forms.
Each piece is cast in bronze and depicts an identifiable natural form: horseshoe crab, rostrum, coco de mer, starfish, and skull. Produced in a limited edition in patinated bronze in collaboration with the Fonderie de Coubertin, these objects are displayed on an oak base with metal bands.
Platinum basketry: the delicacy of transformed weaving
With Vannerie, a comprehensive tableware collection that includes a charger plate, dinner plate, dessert plate, soup plate, bread plate, coffee cup and saucer, teacup, teapot, sugar bowl, creamer, kawa cup, mug and saucer, relish dish, oval platter, salad bowl, and tumbler, Pinto brings an ancestral savoir-faire to fine porcelain. The braided motif appears in a gold-and-platinum trompe-l’œil on the rim of the plate crafted by the Manufacture Royale de Limoges, highlighting both the beauty of the gesture and the precision of its detailing.
Silverware: illusions of gold and platinum
The Argenterie collection reinterprets shapes taken from the Royal Limoges archives. The tureen, candlestick, sauce boat, salt cellar, and pepper shaker are made of porcelain enhanced with gold and platinum patinas reminiscent of fine metalwork. The meticulous finishes and balanced proportions give the set the stately presence of ceremonial table services.
Pinto × Augusta Alexander: six sequences of a drawing in motion
Driven by the desire to bring artists into the universe of Pinto, Fahad Hariri invited Viennese artist Augusta Alexander to reinterpret a Limoges porcelain table service through a contemporary lens. The edition, composed of six plates, features masculine figures sketched after the artist’s canvases, their single-line gestures inspired by Wedgwood’s Dancing Hours, in which mythological figures move in a circular dance. Each iteration responds to the next, forming a contemporary frieze across the set.
This collection, which bridges the history of tableware with a contemporary approach, is produced in a limited edition of 250.
